Media structure
1. Interviews
Conversations with composers, directors, playwrights, artistic directors of ensembles, and other key figures.
2. Dialogues
Thematic discussions between experts (e.g., exploring gender in music, the role of technology in art, etc.).
3. Profiles
Articles on notable figures featured in the current year’s program (e.g., Luigi Nono, Vladimir Rannev, Sergey Parajanov, Valzhyna Mort in 2024).
4. Microformats
Short stories focused on a single piece or phenomenon (e.g., “The Story of One Composition”).
5. Archive Materials
Publications from past years that remain relevant (e.g., the 2023 discussion on memory with Davydova, Stepanova, and Bubich).
6. Essays
Essays and interviews highlighting the cultural and social context of the festival (e.g., “What’s Happening with Central Asian Art in the 21st Century” or “The Composer and AI”).
7. Multimedia
Incorporating short video interviews, trailers, or performance excerpts.
8. Photogalleries
Visual content from concerts and events.
9 Previews and highlights.
Detailed previews and guides to help navigate the festival program.
The media is the combination of current, archival, and contextual content that provides a comprehensive view of the festival and its themes while also extending beyond its immediate program.